Rex and Boots: Super Sleuths takes place in the seemingly expansive Fromage Manor. To create the look of wealth, I painted pictures to hang on the side panels of our puppet stage.
I wanted this portrait of Lady Fromage’s greedy uncle Horace to feel stuffy and unpleasant. I started by doing a Google image search for portraits from the early 1800s so the lighting and color palette would feel authentic. In my search I found several unintentionally hilarious portraits from that time. I painted Horace as if some poor artist had been given the task of creating a forgiving portrait of a very unattractive character.
Horace’s hair was originally black, but in combination with the huge mutton chops and high collar, it made him look like a strange caricature of Elvis Presley in his Vegas years. So I painted Horace’s hair white.
Don’t miss Rex and Boots: Super Sleuths at the NoHo Arts Center on Saturday, Oct. 28 at 11 am and 1 pm.Here is an excerpt of an interview I conducted with
Rex and Boots puppeteers Sean Johnson and Anita Coulter.
PJ: What lesson will audiences take away from “Rex and Boots: Super Sleuths”?
AC: “Rex and Boots” is one of my favorite shows. It has a very satisfying story arc for the characters. I think they each learn a lesson. Rex, who is very focused on his own theories about the mystery for most of the show, learns to listen to the advice of others -- namely Boots. And Boots, who was in awe of Rex's abilities, learns to appreciate her own gifts. As for the moral of the story, well, I'd say it's that crime doesn't pay, but we like each audience member take away their own idea about the moral.
Labels: Rex and Boots, Swazzle